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The Return: The Key Marco Artifact Loans

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Deer Figurehead, Painted. Key Marco, A.D. 500-1500. Penn Museum Collection. Courtesy of Penn Museum, image #240772. Close Image
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Sea Turtle/Falcon Figurehead, Painted. Key Marco, A.D. 500-1500. Penn Museum Collection. Courtesy of Penn Museum, image #298907. Close Image

Traveling through time and space to return to Marco Island — their place of origin — the world-famous Key Marco Cat and other rare 500-to-1,500-year-old pre-Columbian Native American companion artifacts are together again for the first time since their discovery in 1896.

Discovered during a Smithsonian sponsored archaeological expedition led by anthropologist Frank Hamilton Cushing, these remarkably well-preserved hand-carved and painted objects, attributed to the Muspa or Calusa artisans, are some of the greatest discoveries in the history of North American archaeology.

“These artifacts are prime examples of the complex iconography used by pre-Columbian Floridians and probably had deep ritual significance to the people who created them. The fact that they have survived so long is truly incredible and provides a nearly unique window into the past.” — Meg Kassabaum, Assistant Curator for North America, Penn Museum

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KEY MARCO LOANS MADE POSSIBLE BY

ARTIFACT VAULT GIFT OF

Craig and Bonnie Woodward

LENDING INSTITUTIONS

AWARDS

The Return: The Key Marco Artifact Loans is the recipient of the 2019 Florida Association of Museums (FAM) Museum Excellence Award.

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Alligator Figurehead, Painted. Key Marco, A.D. 500-1500. Penn Museum Collection. Courtesy of Penn Museum, image #298908. Close Image

The Key Marco Story

In April 1895, retired British lieutenant colonel Charles D. Durnford unearthed several curious artifacts while digging in a muck pit on Capt. William D. Collier’s property at Marco, a small village on the north end of Marco Island. Two months later, after a chance encounter with Durnford at the University of Pennsylvania, Smithsonian anthropologist Frank Hamilton Cushing (1857-1900) was at Marco examining the site in person…

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Alligator Figurehead, Painted. Key Marco, A.D. 500-1500. Penn Museum Collection. Courtesy of Penn Museum, image #298908. Close Image
The Return: The Key Marco Artifact Loans Image
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Crew members Frank Barnes and Robert Clarke assisting the Pepper-Hearst Expedition's artifact preparator, Carl F. W. Bergmann, in cleaning one of the many spectacular artifacts unearthed at the Key Marco site. Artwork by Merald Clark. Close Image

In April 1895, retired British lieutenant colonel Charles D. Durnford unearthed several curious artifacts while digging in a muck pit on Capt. William D. Collier’s property at Marco, a small village on the north end of Marco Island. Two months later, after a chance encounter with Durnford at the University of Pennsylvania, Smithsonian anthropologist Frank Hamilton Cushing (1857-1900) was at Marco examining the site in person.

Intrigued by his preliminary findings, Cushing led what would become known as the Pepper-Hearst Expedition (December 1895 – May 1896) to Marco Island, which would produce one of the most spectacular assemblages of artifacts in the history of North American archaeology.

For two full months, from February 26 to April 19, 1896, Cushing’s team persisted in excavating the swampy, mosquito-ridden Key Marco site, buoyed by Cushing’s enthusiasm and the spectacular nature of their finds.

Cushing’s discoveries at Key Marco were, as he described, “literally startling.” The artifacts he and his crew unearthed are exceptionally rare, because many are made from perishable materials such as wood, plant fiber, gourd, and natural pigment. Thanks to the unique oxygen-free conditions of a peaty muck on Captain Collier’s property, these centuries-old organic materials emerged from the ground in “almost new” condition.

The Pepper-Hearst Expedition yielded not only spectacular wooden carvings of possible ceremonial importance but also dozens of utilitarian objects. Wooden bowls, float pegs, cordage, and netting – just a few of the artifact types unearthed – were probably as common to the Muspa and Calusa as shell tools and pottery. The fact that they survived alongside more durable artifacts makes Key Marco one of the most wholly “representative” pre-Columbian archaeological sites in North America.

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The Silver Spray arriving at Marco Island with Frank Hamilton Cushing, wife Emily Cushing, and field artist and photographer Wells Sawyer. Artwork by Merald Clark. Close Image

Frequently Asked Questions

Why is the Pepper-Hearst Expedition important to our history?

Cushing’s 1896 expedition to Marco Island sparked more than a century of archaeological discovery in Southwest Florida. In the years following his finds, other archaeologists descended upon the area in hopes of making similar discoveries. None were successful on the same scale, but the artifacts, notes, and records they left behind laid the foundation upon which Florida’s archaeological record is built. As a result, public awareness of the Calusa and their ancestors has increased dramatically in Florida over the past century. To this day, Cushing’s work and his discoveries at Key Marco are still being studied, interpreted, and shared in books classrooms, and museum exhibits across the country.

Where are the artifacts now?

Including Durnford’s finds, which he donated to the British Museum in 1895, artifacts from Key Marco are currently represented in five of the world’s most revered museums. Since the Pepper-Hearst Expedition was a joint venture between the University of Pennsylvania and the Smithsonian Institution, Cushing agreed to an “equal division” of any recovered artifacts. Select artifacts from Pennsylvania were later transferred to what is now the National Museum of the American Indian and the Florida Museum of Natural History.

What was the excavation like at Key Marco?

The working conditions at the site were difficult. Cushing’s team battled high temperatures and humidity, tropical downpours, mosquitoes, sand fleas, and the sulfuric stench from the swampy “unpromising hole” in which they worked. According to the team’s artist, Wells Sawyer, three or four crew members worked side by side digging inch by inch through the muck while standing or crouching in puddles of mud and water.

By today’s standards, Cushing’s approach to excavation might be labeled unprofessional. His team pulled artifacts from the muck with their bare hands and garden tools, and many potential artifacts were either discarded or missed altogether. However, in 1896, when archaeology was a relatively new academic discipline, his methods were decidedly innovative. Notably, Cushing’s use of the grid system was one of the first of its kind, and his water drainage system allowed the crew to excavate an entire wet site at a time when pumps and portable generators were not available.

Did all the artifacts survive?

No. Some objects disintegrated almost immediately upon contact with air and light. Cushing estimated that around 25% of all perishable artifacts were completely destroyed during the excavation, and “not more than one-half retained their form for more than a few days.” Fortunately, Cushing had the foresight to recruit talented young artist and photographer Wells Sawyer for the expedition, who recorded the state of many of the artifacts soon after they were unearthed.

What is the Key Marco Cat?

Uncovered by Frank Hamilton Cushing on March 5, 1896, the Key Marco Cat is one of the most famous pre-Columbian Native American artifacts ever discovered in Florida. It was carved out of dense native wood between 500 and 1,500 years ago by a Muspa or Calusa artisan at Key Marco and was likely modeled after the native Florida panther. At just six inches tall, the iconic and charismatic anthropomorphic carving captured imaginations around the world in the decades since its discovery. On Marco Island, where it originated centuries ago, the object is now a source of identity and pride for its modern residents.

It is preserved in perpetuity by the Smithsonian Institution’s National Museum of Natural History and has, with the help of the Marco Island Historical Society, returned on loan to Collier County, Florida three times – in 1996, 1999, and 2018.

Explore its story further in MIHS books like The Nine Lives of Florida’s Key Marco Cat and Lost and Found: The Adventures of Marco the Cat.

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